Nominations for the 73rd Annual Motion Picture Sound Editors (MPSE) Golden Reel Awards were announced on January 12. FotoKem teams were nominated in the category “Outstanding Achievement in Sound Editing – Broadcast Animation.” For Rick … read more
FotoKem
FotoKem juggled a multitude of jobs and formats for PT Anderson’s new film shot on 35mm VistaVision, One Battle After Another: developing negative, scanning dailies, dailies color, deliverables, dailies film prints, and print screenings.
Director Michael Chaves, Editor Elliot Greenberg, and FotoKem Senior Colorist Phil Beckner gave us the scoop on their experience using SHIFT on The Conjuring – Last Rites.
FotoKem is proud to announce that we recently wrapped up restoration work on one of the most beloved films of all time. The Sound of Music restoration is a celebration of the 60th anniversary of … read more
Margarita Mix and LA Studios are thrilled to have worked on several amazing Emmy-nominated shows for 2025: Star Trek: Lower DecksNominated for Outstanding Sound Editing For An Animated ProgramMix and Sound Design at Margarita Mix, Recording … read more
FotoKem is helping bring attention to two groups leading the effort to keep production jobs in Los Angeles. The StayInLA Campaign is focused on removing the cap on the tax incentive for Los Angeles county … read more
FotoKem is honored to have supported several Oscar-winning motion pictures this year, including the winner of 2025’s Best Picture, Anora, written and directed by Sean Baker and produced by Alex Coco, Samantha Quan and Sean … read more
An interview with the colorists of two very different feature films, each of which used FotoKem’s signature SHIFT analog intermediate process to give their film its unique analog film vibe.
We recently sat down with three recording mixers / audio engineers from the popular and historic ADR recording studio LA Studios and asked them to help our visitors understand what the job of a recording … read more
Amazon Video and Kilter Films’ new post-apocalyptic series Fallout features a dynamic cast of wild characters, far-flung future locations, and a tongue-in-cheek spirit that carries over from the videogame it’s based on. We recently coaxed the show’s colorist Kostas Theodosiou out his “vault” and asked him a few questions about how he helped give this madcap original series its unique color and look.
